Susan Kristoferson 17 April 1952 – 6 July 2024
Susan Kristoferson died on 6 July 2024 from an aggressive form of ovarian cancer, 17 days shy of our 41st wedding anniversary. Over the 43 years that I spent with her, I observed her growth as an artist, conversed with her about the processes of making art, the techniques, the magic. She was captivated by the mysteries of colour evinced by the ever-changing patterns of light dancing across the foothills and mountains near our home in southern Alberta. She equated the transitions as metaphors of human relationships across scales from interpersonal to global, current, and past. And it was the ephemerality that informed her art.
When not engaged in art, and when the weather permitted, Susan tended her flower gardens. She loved nothing more than to be on hands and knees working the soil, coddling the bulbs or seedlings, admiring the bumblebees and butterflies that came for a visit, pausing for the hovering hummingbird, transplanting mature plants, pruning established shrubs, extracting pesky weeds, arranging them to make bold statements of colour that would pop throughout our short growing season, each on its own time.
Susan had long threatened to write the historic Paste-paper, but she was an artist, not a writer. Over the next few months, I will be preparing a biography of Susan, her insatiable drive to learn about historic Paste-paper techniques, and more. It will not be the book she planned to write. Rather, it will be my attempt to detail her artistic journey.
The following poem emerged from me a few weeks after her passing as I grieved.
A Gentle Force
Sunrise greeted her.
Shifting colours splashed
across mountain peaks
chasing darkness from valleys.
Steam rising from a cup of tea,
Luna’s chin resting on knee.
A contemplative start to the day.
Routine tasks tackled,
a prelude to the day’s focus.
A stroll to her studio, her hermitage,
the scramble of unformed ideas
emerge through her hands
as decorated papers begin to form
fleeting relationships, somehow
infused in her from the morning light.
Such was the passion
to express what words failed
to convey, the sense of belonging
to the mysterious long-distance view,
nestled within a nurturing community
of plant people, deer people, fox people
and yes, human people.
The void left behind
cannot be filled,
her achievements can only be admired
and shared with all she touched
and all who might have basked
in her infectious smile.
– Larry Kapustka, July 2024
Paste Papers
Collages
Itajame
Historic Reproduction Paste Papers
Susan Kristoferson
Everything that Susan Kristoferson creates is based on the relationship of parts. The relationships may be personal, environmental, philosophical, color and design, or even from aspects of astrophysics. For Susan it is the relationships between parts, between atoms, and between people, that are the basis and important elements and aspects of life.
Susan hand paints and dyes papers to create an extensive palette for her unique collages and fine craft objects. Starting at the age of 4 or 5 Susan began a lifetime of being a maker. She had an early interest in sewing and textiles and has earned BFA and MFA degrees.
She is skilled in textile arts and hand paper-making and has been an art teacher, art professor, and head of a college fibre arts program. She now works with specialty papers that often look like fabric. Shown in more than 200+ exhibits, her work is in collections across the US, in Japan and Canada.
Specializing in unique hand dyed and painted papers, Susan creates complex collage “paintings” and unique paper objects such as origami ornaments, blank books, notecards and jewelry. She sells her sheets of hand decorated paper and packages of “off cuts” and overpainted scrapbook papers for other people to use. Susan is writing a book about the history of paste paper based on 30 years of research and study at over 40 rare book and rare paper collections around the world. She also up cycles materials to make useful items.
Her work can be found in Alberta at Bluerock Gallery in Black Diamond, Collectors’ Gallery in Calgary, and at the two Alberta Craft Council Galleries which are in Calgary and Edmonton. In 2020 sixty-one of her unique hand decorated papers were acquired by the Legacy Paper Collection of the Watson Library at the Metropolitan Art Museum in New York City.
She has lived in England, Denmark, in several places in the US, and now happily lives in the southern Alberta Foothills with an inspirational view of the foothills and Rockies from her hilltop home and studio.
“The possibilities for unending creative invention paired with skilled craftsmanship and happenstance intrigue me. I find them seductively lurking in the creation of paste papers and itajime papers. So much so, that I have been studying and working with paste papers since 1990 and with shibori (Japanese tie dye) since 1977.”
Vistas of the West is a collection of poetry and visual art that celebrates the beauty and spirit of the Rocky Mountains, Western foothills, prairie landscapes, and the natural inhabitants of these beautiful environments. A special edition is available that includes a CD of poetry readings by featured poets and a limited edition print.